FAQ

Performances start right on time. Please plan ahead to arrive well in advance in case of traffic or other unexpected delays. The performance is one whole experience—you won’t want to miss any part of it.

Patrons should wear evening or business attire to the event. It can be a tuxedo or evening gown, or a suit or jacket and tie. We recommend wearing something that allows you to look and feel your best. You are in for a special treat, so why not dress for the occasion? Who knows, you might even decide to snap a photo in front of the Shen Yun step-and-repeat wall in the theater lobby and post it on Facebook or Instagram, so you’ll want to make sure it’s a good one.

After you’ve successfully purchased your tickets, of course! As for during the performance, applauding at the end of each piece and after the emcees finish their introductions is customary. Of course, if there’s a certain aspect of the performance that particularly moves or delights you, feel free to applaud mid-piece.

Sorry, no. “How about smartphones?” Still no. “What about smart glasses with AI?" No. Photography and recording of any kind are strictly prohibited. Even without a flash, photography and recording disrupts our performers—the dancers can see it! It also interferes with other audience members trying to enjoy the performance. And it’s a violation of copyright laws. Theater staff and security personnel take this very seriously.

Families are a big part of our audience, and each year children enjoy the performance, with favorite pieces being the Monkey King or the mischievous little monks. But please do think of your fellow patrons; consider whether your child can sit through the entire performance without disturbing others. In that vein, most venues will not permit entry to children under four, while other theaters and local presenters will require that a child must be at least five or six years old to attend. You can find this information by selecting your city, and then looking on the right-hand side, under “Show Info.”

You actually don’t need to prepare in any way. You will receive a performance program that introduces each piece and ensures that you can follow and get the most out of the experience. A pair of emcees briefly introduces each dance on stage, and tells you a little bit about classical Chinese dance, the composition of our unique orchestra, and other aspects of the performance and culture.

Still, if you would like to learn more beforehand, we encourage you to browse our website. The About Shen Yun section will give you a good overview of what to expect, the incredible art form of classical Chinese dance, and Shen Yun’s mission. The Learn section is a wonderfully rich portal with loads of information about the specific legends, historical figures, costumes, and dynasties featured in our performances; it’s also a great section to revisit after the performance to explore further whatever interests you most.

Definitely. In fact, our audience makeup reflects the typical patronage of the venues where we perform. Each performance is hosted by emcees who will guide you throughout, and provide the background knowledge needed for you to enjoy the experience fully; all song texts are translated and appear on the backdrop screen; and programs provide introductions to each piece.

Most importantly, though, dance and music are universal languages that transcend cultural and linguistic boundaries. Shen Yun’s hallmark themes of compassion, courage, and hope are likewise universal. If you enjoy brilliant costumes, beautiful music, high-flying dance techniques, touching stories, and exciting legends, you’ll enjoy Shen Yun.

(See what people from around the world have to say in their own words.)

You can find Shen Yun merchandise in most theater lobbies during intermission as well as before and after the performance. You can also shop online at ShenYunCollections.com.

We don’t sell DVDs of our dance performances. The full impact of our performance can only be felt by experiencing the dance, costumes, backdrops, and orchestra live, in-person, in the theater.

BUT, we recently launched an online streaming platform called Shen Yun Creations. There, you can watch many dance performances from past seasons, Shen Yun Symphony Orchestra concerts, our original operas, classical Chinese dance technique collections, instructional videos, behind-the-scenesfootage, video shorts, and much, much more.

Visit: Shen Yun Creations.

Yes, we have CDs and DVDs of Shen Yun Symphony Orchestra available at ShenYunCollections.com.

You can also watch recordings of original Shen Yun music and classical masterpieces on our online streaming platform Shen Yun Creations.

We hope so! You can check our Tours & Tickets page to see the cities on this year’s tour. We also have a “Notify Me” feature in which you can choose your city and subscribe to receive automatic notification before Shen Yun is next headed your way. You can sign up to get notified here.

Scalping is a common problem in the world of event ticketing nowadays. Some individuals buy tickets directly from the source and then resell them, usually online, for upwards of double the original price! Please be aware that tickets sold through third-party websites or entities might NOT be honored come showtime. Moreover, if such tickets are resold above face value, the resellers may have their tickets cancelled without notice and be unable to purchase future tickets.

You will be taken on a journey to magnificent eras in Chinese history, as well as to periods from China’s recent past. Ancient stories and legends, ethnic and folk traditions, villains and heroes will come to life on stage through classical Chinese dance, live music, and stunning digital backdrops. You can expect an experience like no other, one that not only entertains, but also enriches and inspires.

A Shen Yun performance is roughly two hours, plus intermission. There are about 17-18 short dance pieces in each performance, which offer variety in terms of both pacing and style. Some pieces feature stories from ancient Chinese history or mythology, others from contemporary China, while still others feature dance styles and costumes from different dynasties, regions, and ethnic groups.

A live orchestra plays original music to accompany each of the dance pieces. Bilingual emcee hosts briefly introduce each piece to provide you with helpful background so that you can appreciate the experience more fully. Interspersed between the dances are 2-3 classical vocal and instrumental solos.

Shen Yun productions are unforgettable for their combination of music, dance, brilliant costumes, and animated backdrops—which also contain a few surprises!

“Shen” means divine or divinity, and “Yun” means feeling or rhythm. What would it be like if beautiful beings came down from the heavens and danced before your eyes? That’s the idea.

Shen Yun means, “The beauty of heavenly beings dancing.” Sounds magical, right? It is!

About two hours plus intermission.

Yes. Every Shen Yun performance is accompanied by a one-of-a-kind orchestra that combines Western symphonic instruments with traditional Chinese instruments like the two-stringed erhu, the plucked pipa, and a range of percussion instruments. Shen Yun’s orchestra is the first in the world to include these categories of instruments as its permanent members. It has done what many have tried to do and not succeeded at: blend two distinct musical traditions into one harmonious sound.

Our wardrobe department produces thousands of costumes, headpieces, shoes, boots, and other accessories every season. Shen Yun’s dance costumes are mostly based on the traditional clothing of China’s different dynasties, the unique attire of over 50 minority groups that live in China, and the regalia of divinities from folklore and mythology. They are then adapted to make them suitable for dance performance.

In the creation process, Shen Yun costume artists collect and reference countless traditional designs. From the ethereal garb of heavenly maidens to the emperor’s dragon robes to dainty flowerpot shoes, every piece is handmade in New York state and individually tailored.

Shen Yun’s musical compositions are written especially to accompany the new dances that are choreographed and premiered each year. Solo vocal and instrumental pieces are newly composed each year as well.

Shen Yun has several dedicated composers who draw from musical styles spanning China’s vast history and region, and also draw from their own inspiration.

Each piece is orchestrated with a perfect blend of classical instruments of the East and West, and then meticulously coordinated with the choreography and backdrop. The music is always performed live.

The short dance stories are like little excerpts from Chinese history. They may be about the Yellow Emperor of antiquity, the Monkey King, a modern-day tale, heroes, deities, or colorful characters who have appeared throughout the millennia of dynasties.

A unique feature of Chinese civilization is that its history has been recorded and passed down uninterrupted for thousands of years, sometimes in vivid detail. This provides Shen Yun with abundant source material, making it possible to revive this ancient culture on the twenty-first century stage.

In under seven minutes each, these mini dramas recount timeless legends, bygone heroes, literary classics, and celestial paradises. Every dance embodies and celebrates the virtues that were at the heart of Chinese civilization for thousands of years: loyalty, faith, compassion, and courage.

No, Shen Yun dancers perform classical Chinese dance, along with a range of traditional Chinese ethnic and folk dance styles.

Whereas ballet’s historical roots lie in European culture, classical Chinese dance’s lie in traditional Chinese culture. Classical Chinese dance has its own systematic training, and encompasses many types of leaps, turns, flips, spins, and tumbling techniques that have not historically been a part of ballet. It is a dance form as ancient as Chinese civilization itself and it contains China’s deep cultural traditions. This renders its movements richly expressive, such that personalities and feelings can be portrayed with utmost clarity.

Performing classical Chinese dance in its purest form is the artistic hallmark of Shen Yun. No other company has successfully brought pure classical Chinese dance to stages around the world!

(Learn about 7 key differences between ballet and classical Chinese dance.)

Interestingly, the answer to this question is the reverse of what you might think—it’s not that there are acrobatics in classical Chinese dance, it’s that you can see techniques from classical Chinese dance in acrobatics! Not only that, Olympic gymnasts, especially in floor routines, have also borrowed moves from classical Chinese dance.

Flipping and tumbling techniques have been part of classical Chinese dance for thousands of years. In the 1970s, Chinese gymnasts took these high-level flips from classical Chinese dance and performed them at international competitions, introducing them to the world.

Over time, different forms adopted these techniques. Not only gymnastics and acrobatics, but also cheerleading and even modern ballet are among those that borrowed from classical Chinese dance.

So when you see these amazing flips on stage, remember—they’re not acrobatics but classical Chinese dance.

Although the performance does not include Chinese martial arts, classical Chinese dance and martial arts (kung fu or wu shu) do share some similarities.

Thousands of years ago, when Chinese martial arts first appeared, its flips and techniques greatly influenced other ancient art forms, including opera and dance. Some of the movements originally intended for combat were transformed into a means of entertainment for both informal festive occasions and grand imperial celebrations. Over time, martial arts and classical Chinese dance grew into the separate art forms we know today.

In the Shen Yun performance you might therefore see not only movements that look similar to martial arts, but you might also see traditional weapons—sticks, spears, swords, and the like—used in both martial arts and Chinese dance.

(More about the similarities and differences between classical Chinese dance and kung fu)

Every year, Shen Yun’s performance is completely new. The format of the show stays the same, but the choreography, music, songs, costumes, backdrops, and stories are all new.

Shen Yun is based in New York State, in the rolling hills about two hours outside New York City. It turns out that a revival of traditional Chinese culture could only take place outside of China.

In China, the Communist Party has tried to systematically wipe out traditional culture. Campaigns like the Cultural Revolution in the 1960s and 70s have left traditional Chinese culture, especially its spiritual heritage, on the brink of extinction.

But in 2006, a group of classically trained Chinese artists from around the world came together in New York united by a shared mission—to revive traditional Chinese culture through the performing arts. Many of them had well-established careers or were at the top of the performing arts scene in China, but they discovered that true traditional culture could not be revived there—not under a regime that has spent decades trying to destroy it. And so, they created Shen Yun in New York, where they have the freedom to create and perform, to rediscover their lost heritage and share it with the world.

Most of our choreographers and composers are originally from China, while most of the dancers are ethnic Chinese from the United States, Canada, Australia, China, Taiwan, and Japan. Our musicians are a very unique mix: along with players from China, they also hail from the U.S., Germany, Spain, Armenia, Bulgaria, and many other countries.

Ironically, while Shen Yun celebrates traditional Chinese culture around the world, it cannot perform in China. Not only that, but you cannot see another performance like this in China today. Shen Yun would be happy to perform there, but the Chinese Communist Party won’t allow it.

Sure, there are countless performances in China that appear to be traditional, but after decades of political campaigns to eradicate this cultural heritage, these have been stripped of their inner essence. One of the things that makes Shen Yun unique is that, in addition to the surface artistry and beauty, it honors the spiritual essence of Chinese civilization—ideas like harmony among Heaven, Earth, and humankind.

But this is exactly the aspect of Chinese traditions that the communist regime has been trying to destroy. It sees the revival of this culture, and Shen Yun, as a threat, and so does not allow Shen Yun to perform there.

What’s more, Shen Yun’s artistic team feels that art should not only be a medium for spreading beauty and culture, but should have a humanitarian side. Every year Shen Yun has at least one dance piece depicting a highly sensitive topic in China, one that no artist there has dared to touch so far—the story of Falun Gong (see below). We feel this is an important story worth telling, yet that is another reason why we cannot perform in China.

Meanwhile, Chinese people who can afford to are constantly flying to Taipei, Tokyo, Los Angeles, and other cities specifically to see Shen Yun. Countless others write in to our website expressing their hope that we will come perform in China soon.

Falun Dafa is also known as Falun Gong. It is a practice that combines teachings for self-improvement and meditation exercises. The teachings are centered on three main principles—truth, compassion, and forbearance. Shen Yun’s artists practice Falun Dafa, and it is a source of inspiration for our performances.

Both China and the West have a history of artists integrating spirituality into their work. In ancient China, artists would practice meditation and seek inner stillness and a connection with the universe; they believed that to create real art, one had to cultivate virtue and inner purity. Today, Shen Yun’s artists follow this noble tradition.

You may have heard about the persecution of Falun Dafa in China today. This started in 1999, when every morning tens of millions of people could be found practicing Falun Dafa exercises in parks throughout China. But fearful of its popularity as an independent ideology outside its control, the Communist Party launched a nationwide persecution campaign to try to wipe it out. In fact, the number of Falun Dafa practitioners had exceeded the number of Chinese Communist Party members.

Today, after enduring more than two decades of torture, imprisonment, and killing, these spiritual seekers persevere in their faith and continue to resist, always through nonviolent means. Inspired, Shen Yun’s artistic team is bringing these stories to stages around the world. And it turns out these people’s courage and message of hope has moved millions of audience members.

The story of Falun Dafa, and the persecution of people who practice it in China, hits close to home for many of our artists.

Shen Yun’s artists practice the Falun Dafa meditation exercises and follow its teachings for self-improvement. But if these same dancers and musicians went to a park in China today and started doing the same meditation exercises, they would be arrested and possibly tortured and killed.

A number of our performers have in fact experienced this persecution in China, or have had such things happen to their family members. Some of the dancers that you see on stage, performing with such joy and passion, have lost parents due to torture in China’s detention camps.

For them, it is all too real. They feel they must do something to help their loved ones and the people of China, and to tell their story.

See videos about Shen Yun’s persecuted artists.

Ever since Shen Yun was founded, the Chinese regime and its agents have tried to stop us from performing, using wide array of tactics:

• At first, they tried pressuring theaters to cancel our performances; when that failed, they
• Started slashing our tires and vandalizing our buses and trucks; when that didn’t stop us, they
• Started paying for newspaper ads slandering us and flooding online reviews with fake comments
• They sent secret agents who attempted to revoke our nonprofit status
• They had people send prank bomb threats to our venues and death threats to our headquarters
• They are now manipulating social media influencers and mainstream press to attack Shen Yun

For more on this, see: Challenges We Face and Incidents and Evidence database

Shen Yun is a professional performing arts company, and the core of its dancers are in their 20s or early 30s. They are among the best classical Chinese dancers in the world. The company also offers an exciting opportunity for remarkable young artists.

On average, more than 85% of our touring members are adults. The remaining 15% of slots are reserved for talented young dancers and musicians. They perform on a study-on-tour practicum with the Fei Tian schools, part of a program approved by the New York State Board of Education.

Young artists come to Fei Tian Academy of the Arts and Fei Tian College—schools that share a campus with Shen Yun—because they want to train at an elite level. If they reach professional standards, they can apply to perform with Shen Yun. If accepted into the program, they perform alongside seasoned professionals, receive real life experience and elective class credit, and get to tour the world.

All Fei Tian students are on full scholarship, their expenses are covered, and they receive an educational stipend. Like many high school and college athletes, they are not paid professionals. After graduating, however, some may be hired by Shen Yun as salaried professionals, without the burden of student debt.

Dancers are typically young because of the athletic demands of classical Chinese dance. It’s similar to competitive sports, ballet, or Olympic disciplines such as gymnastics and figure skating. Many of Shen Yun’s top performers became principal dancers in their early twenties.

The professional adults in Shen Yun—be they dancers, musicians, or production crew—are salaried employees. Their major touring expenses are also covered, including hotels, transportation, and meals during the months they spend on the road each year, which isn’t always the case with touring companies.

The student performers are on full scholarships, including room and board, valued at around $50,000 a year. Their touring expenses are covered as well, and they receive a stipend that helps with study-related costs. Upon graduating, many of them apply to work at Shen Yun as fully salaried professionals.

Other Fei Tian College students go on to further education or decide to do something else, like starting their own dance studio. Some of the Fei Tian Academy students, likewise, choose to attend other colleges, like Columbia University, which has accepted several of our graduates.

Shen Yun ensures its performers have access to high-quality medical care, including MRIs, surgeries, physical therapy, and ongoing care from partnered medical providers who are on campus regularly. Board-certified physicians who have regularly treated Shen Yun performers have publicly stated that claims to the contrary are “ridiculous” and “insulting.” (WATCH) Our dancers have also discussed their injury experiences and how the company helped arrange treatment and was very supportive throughout their recovery (WATCH).

We have security at our headquarters in New York because we are constantly being threatened and attacked. Over the last few years we have received over 200 death threats, sometimes on a daily basis. These emails threaten to bomb and mass shoot us, burn our buildings, rape our female dancers, and throw our kids from the rooftops. We’ve already experienced tire slashings, cutting of our security camera wires, nails strewn on our entry roads, and multiple incidents of vandalism and trespass by unknown individuals. Early on, the Chinese consulate drove right up to our gate. More recently, two CCP agents were arrested by the FBI for trying to sabotage us. Some of our students and staff have escaped persecution in China and still have family in China who are at risk or who have been threatened because their sons or daughters are in Shen Yun. One of our teachers had his home broken into and was beaten up by Asian men who only wanted his laptops. For us, even in America, the persecution and these threats are very real.

That having been said, our campus is actually a lot more porous than you might imagine. Not only do employees commute to and from work daily, we also receive many visitors—parents dropping off or picking up their children from school, Amazon delivery trucks, guest teachers, as well as state and county inspectors. We would rather not need this security. We would prefer that you and everyone else could come visit us at Dragon Springs, see the beauty of the Tang Dynasty architecture, and enjoy a performance in our stunning Shen Yun Theater. We hope someday soon you will be able to.

Shen Yun’s professional staff are adults who mostly live off-campus with their families and commute to work. They have smartphones, laptops, cars, mortgages, kids, and contribute to the communities of their local towns.

The Fei Tan student performers who participate in Shen Yun live on campus and have Internet access through many public computers and often use them to complete schoolwork, correspond with family and friends, shop on Amazon, and so on. As is the policy in many schools around the country, however, computers may not be used to access inappropriate content.

The schools issue Fei Tian students non-smart phones to call or text anyone they like. The schools, however, do not allow students to have smartphones or use social media accounts on campus. In this regard, they were some 15 years ahead of others, as many top school districts around the country, including all of New York State, are now adopting a similar policy.

Shen Yun’s annual revenue is comparable to other performing arts institutions, such as American Ballet Theatre and is much less than New York City Ballet.

With eight troupes touring the world simultaneously and a brand-new production every year, ours is a large-scale operation. Expenses include salaries for dancers, musicians, technical crew, artistic teams, and administrative staff; training facilities and rehearsal theater; props, costumes, audio, video, and lighting gear; buses and trucks; food and medical services; and flights for hundreds of performers.

Moreover, our management wants to be ready for any eventuality in an uncertain world. During COVID, for example, while many performing arts companies laid off their employees, Shen Yun was able to keep paying the artists’ and staff’s salaries even while not performing for a year and a half.

For more than 25 years, the Chinese Communist Party (CCP) has spread disinformation about Falun Gong to justify, and divert attention away from, the terrible persecution of the practice in China, where millions have been unlawfully detained, and torture and death in custody are rampant. A core component of the CCP’s propaganda against Falun Gong was to label it a “cult.”

Independent scholars and experts who studied Falun Gong have concluded that its practitioners do not fit the definitions of a cult. Journalist Ian Johnson, who spent years reporting on Falun Gong in China and won a Pulitzer Prize for his daring coverage, observed that “its members marry outside the group, have outside friends, hold normal jobs, do not live isolated from society, do not believe that the world’s end is imminent and do not give significant amounts of money to the organization. Most importantly, suicide is not accepted, nor is physical violence.” Johnson described it as “at heart an apolitical, inward-oriented discipline.” Furthermore, Falun Gong has no membership rolls, no fees, no initiation rituals, and no acts of worship.

Shen Yun was started by Falun Gong practitioners. Recently, false allegations against Shen Yun have resurfaced this “cult” label. However, these allegations are made largely by people with undisclosed ties to the Chinese regime. Indeed, the presence of Shen Yun “cult” narratives online demonstrates the extent to which Beijing’s anti-Falun Gong propaganda has gained traction in the West.

Not in the way the term is often used. Artistic works often portray historical events or human struggles without being considered political in nature. For example, The Sound of Music tells the story of the von Trapp family’s love, trials, and courage against the backdrop of Nazi occupation, but it is not considered a “political” film. When historical events or injustice appear within a story, it does not necessarily make the work itself political.

Shen Yun uses the performing arts to bring to life the inner essence of China’s divinely inspired culture. Its programs draw from ancient legends, classical literature, and historical traditions, while also presenting stories that reflect experiences in the modern world—including the faith and courage of Falun Gong practitioners who have faced persecution in China.

Across these dance pieces and musical works, themes such as spiritual devotion, the benevolence of the divine, and the search for life’s meaning are central. These stories are meant to uplift and inspire audiences while sharing aspects of Chinese culture that have been suppressed under communist rule.

For this reason, describing Shen Yun simply as “political” overlooks the broader artistic, cultural, and human themes at the heart of the performance.